Audio Related

071 Michael “Ponch” St. Hilaire – Production Sound Mixer based out of Queens, New York

Michael “Ponch” St. Hilaire is a Production Sound Mixer based out of Queens, New York. He’s recorded sound for shows like The Apprentice, The Amazing Race and Survivor. Ponch uses a Sound Devices 633 recorder and a Sound Devices MixPre-3 as a backup. He also uses Wisycom wireless transmitters/receivers, Sanken COS-11 lav mics, Sennheiser MKH-416 shotgun mics and Tentacle Sync for timecode. Ponch also uses an Orca audio bag.

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070 Jimmy Gilmore – Production Sound Mixer based out of Atlanta, Georgia

Jimmy Gilmore is a production sound mixer based out of Atlanta, Georgia. He uses a Sound Devices 664 mixer/recorder, Lectrosonics wireless, Sanken and DPA lav mics, Sennheiser MKH-416, MKH-50 and AKG 460B shotgun mics. For timecode Jimmy uses MozeGear and a Deneke smart slate. For power distribution, he has a Remote Audio BDS and a Meon LiFe cart battery.

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069 LaRon Cooper – Production Sound Mixer based out of Kansas City, Missouri

LaRon Cooper is a Production Sound Mixer based out of Kansas City, Missouri. He uses a Sound Devices MixPre-6 first generation mixer/recorder, Lectrosonics 411 wireless receivers and SMQV transmitters, Sanken COS-11 lav mics, 2 Sennheiser G3 wireless receiver/transmitters and Audio Root for power distribution. LaRon likes the Sennheiser MKH-50 and MKH-416 shotgun mic on his Ktek boom pole. He also uses a Ktek bag. LaRon also like using his Deneke time code box.

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067 Jeremy Zunk – Production Sound Mixer based out of the Washington, D.C. metro area

Jeremy Zunk is a production sound mixer based out of the Washington, D.C. metro area. He uses and owns a variety of Sound Devices mixer/recorders. He likes Lectrosonics wireless transmitters and receivers, Sanken COS-11 lavs and dpa lavs, Schoeps shotgun mics and the Sennheiser MKH-50. Jeremy also uses Tentacle Sync timecode boxes.

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064 Michael Solomon – Production Sound Mixer based out of New York City

Michael Solomon is a freelance production sound mixer based out of New York City. He uses a Sound Devices 633 recorder, Lectrosonics wireless mics, MozeGear TIG timecode sync boxes, Deneke TS-C smart slate, Sennheiser MKH-60 shotgun mic, Schoeps CMC-6 with a MK-41 capsule shotgun mic, Remote Audio power distro, Ktek booms and a Orca bag.

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063 Paul Vik Marshall, C.A.S. – Production Sound Mixer based out of Southern California

Paul Vik Marshall, C.A.S. is a Production Sound Mixer based out of Southern California. He uses a modified PSC audio cart, a Sound Devices 688 mixer/recorder, Lectrosonics wireless transmitters with the Venue receiver rack, Sanken COS-11 lav mics, Schoeps CMIT5s shotgun mics and Sennheiser MKH-50s. Paul works regularly with boom ops Eddie Casares and Mike Sanchez.

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062 Mike Gillig – Production Sound Mixer based out of Cologne, Germany

Mike Gillig is a production sound mixer based out of Cologne, Germany. In the television industry in Germany, the production company usually provides the audio kit so he’s had the opportunity to work with a variety of gear such as Sound Devices mixer/recorders, Zoom F4 & F8 and SQN mixers. Based in Germany, Sennheiser wireless mics are very popular as well as Audio Limited, Micron and on a rare occasion, Lectrosonics.

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061 Paul Isaacs – Director of Product Management & Design at Sound Devices

Paul Isaacs is Director of Product Management & Design at Sound Devices. We talk about what goes into the design and release of new mixers and recorders as well as other products in development. Paul also discusses firmware updates for the Sound Devices 8-Series like the Scorpio, 888 and 833. We also talk about the new MixPre II series, available plugins and what’s new. https://www.sounddevices.com

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060 Paul Buscemi, CAS – Production Sound Mixer based out of Los Angeles and Southern California

Paul Buscemi, CAS, is a production sound mixer based out of Los Angeles, California. He works on television, documentary, commercial and new media. Paul uses a Sound Devices 633 mixer/recorder and a Sound Devices 688 on his cart, Lectrosonics wireless SMB and SMQV transmitters, 411 receivers and SRb receivers, Sanken COS-11 lav mics, Comtek IFBs, Lectrsonics 400a transmitters for camera hops and Lectrosonics LR receivers, Schoeps CMIT shotgun mic, Sennheiser MKH-50 and MKH-416 shotgun mics as well. Paul has built a hybrid sound cart based on the Zuca cart holding his Sound Devices 688 mixer/recorder with the CL-12 fader panel. He also uses the Denecke JB-1 and Tentacle Sync for time code. http://buscemiarts.com/

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